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Moulin Rouge!
Moulin Rouge
Theatrical release poster

Directed by

TBA

Produced by

TBA

Screenplay by

TBA

Starring

TBA

Music by

No information

Cinematography

TBA

Edited by

TBA

Production company

TBA

Distributed by

20th Century Fox

Release date

TBA

Too many parameters

Moulin Rouge! is a 2001 Australian–American pseudo-pastiche jukebox musical film directed, produced, and co-written by Baz Luhrmann. It tells the story of a young English poet/writer, Christian (Ewan McGregor), who falls in love with the star of the Moulin Rouge, cabaret actress and courtesan Satine (Nicole Kidman). It uses the musical setting of the Montmartre Quarter of Paris, France.

At the 74th Academy Awards, the film was nominated for eight Oscars, including Best Picture and Best Actress for Nicole Kidman, winning two: for Best Art Direction and Best Costume Design. It was the first musical nominated for Best Picture in 10 years, following Disney's Beauty and the Beast (1991).

Plot Edit

In the year 1900, a British writer named Christian (Ewan McGregor), suffering from depression, begins writing on his typewriter ("Nature Boy"). As Christian narrates, the film flashes back to one year earlier upon Christian's move to the Montmartre district of Paris to become a writer among members of the area's Bohemian movement. He soon discovers that his neighbours are a loose troupe of performers led by Henri de Toulouse-Lautrec (John Leguizamo). Toulouse-Lautrec and the others ask for Christian's help, and his writing skills allow them to finish their proposed show, "Spectacular Spectacular", that they wish to sell to the owner of the Moulin Rouge, Harold Zidler (Jim Broadbent). The group arrives at the Moulin Rouge as Zidler and his "Diamond Dog Dancers" perform for the audience ("Zidler's Rap Medley"). Toulouse arranges for Christian to see Satine (Nicole Kidman), the star courtesan, in her private quarters to present the work, unaware that Zidler is promising Satine to the wealthy and unscrupulous Duke of Monroth (Richard Roxburgh), a potential investor in the cabaret ("Sparkling Diamonds").

Satine mistakes Christian for the Duke, and dances with him before retiring to her private chamber with him to discuss things confidentially ("Rhythm of the Night", "Meet Me in the Red Room"), but soon learns he is just a writer ("Your Song"). The Duke interrupts them; Christian and Satine claim they were practicing lines for "Spectacular Spectacular". With Zidler's help, Toulouse and the rest of the troupe pitch the show to the Duke with an improvised plot about an evil maharajah attempting to woo an Indian courtesan who loves a poor sitar player ("The Pitch (Spectacular Spectacular)"). The Duke backs the show on the condition that only he may see Satine. Satine contemplates on Christian and her longing to leave the Moulin Rouge to become "a real actress" ("One Day I'll Fly Away"). Christian goes back to Satine to convince her that they should be together, she eventually falls for him ("Elephant Love Medley"). As the cabaret is converted to a theater, Christian and Satine continue seeing each other under the pretense of rehearsing Satine's lines. The Duke becomes suspicious of their frequent meetings and warns Zidler that he may stop financing the show; Zidler arranges for Satine to dine with the Duke that evening, but she falls ill from tuberculosis ("If I should die (Górecki)"). Zidler makes excuses to the Duke, claiming that Satine has gone to confession ("Like a Virgin"). Zidler learns that Satine does not have long to live. Satine tells Christian that their relationship endangers the show, but he counters by writing a secret love song to affirm their love ("Come What May").

As the Duke watches Christian rehearsing with Satine, Nini, a jealous performer, points out that the play is a metaphor for Christian, Satine and the Duke. Enraged, the Duke demands the ending be changed with the courtesan choosing the maharajah; Satine offers to spend the night with the Duke to keep the original ending. At the Duke's quarters, Satine sees Christian on the streets below, and realizes she cannot sleep with the Duke. ("El Tango de Roxanne (Roxanne)"). The Duke attempts to rape her, but she is saved by Le Chocolat, one of the cabaret dancers. Reunited with Christian, he urges her to run away with him. The Duke tells Zidler he will have Christian killed if Satine is not his. Zidler reiterates this warning to Satine, but when she refuses to return, he finally informs her she is dying ("A Fool to Believe"). Zidler tells Satine that to save Christian's life, she has to tell him that she will be staying with the Duke and she doesn't love him ("The Show Must Go On"). Christian tries following her, but is denied entry to the Moulin Rouge, and becomes depressed, even though Toulouse insists that Satine does love him.

The night of the show, Christian sneaks into the Moulin Rouge, intending to pay Satine to return his love just as the Duke paid for her ("Hindi Sad Diamonds"). He catches Satine before she steps on stage and demands she tell him she does not love him. Suddenly they find themselves in the spotlight; Zidler improvises and convinces the audience that Christian is the sitar player in disguise. Christian denounces Satine and walks off the stage. From the rafters, Toulouse cries out, "The greatest thing you'll ever learn is just to love and be loved in return", spurring Satine to sing the song Christian wrote to express their love. Christian returns to the stage, joining her in the song and reaffirming his love for her. The Duke orders his bodyguard to kill Christian, but is thwarted, while the Duke's own attempt is stopped by Zidler. The Duke storms out of the cabaret as Christian and Satine complete their song ("Come What May (Reprise)", "Coup d'État (Finale)").

After the curtain closes, Satine succumbs to tuberculosis. Before she dies, Christian and Satine affirm their love and she tells him to write their story. A year later the Moulin Rouge has closed down, and Christian finishes writing the tale of his love for Satine, a "love that will live forever" ("Nature Boy (Reprise)").

CastEdit

ProductionEdit

WritingEdit

The storyline of Moulin Rouge can be traced back to Alexandre Dumas, fils' The Lady of the Camellias, although Luhrmann, as an opera director, was probably more directly influenced by Verdi's adaptation, La traviata.

When asked about his inspiration for Moulin Rouge!, Luhrmann remarked: Template:Cquote

Luhrmann revealed that he drew from the Greek tragedy of Orpheus and Eurydice in the DVD's audio commentary. The legend of Orpheus says he was a musical genius, far surpassing anyone in his world; the filmmakers chose to replicate this by using songs from the mid-to-late 20th century, many decades after the film's 1899 setting. In this way, Christian would appear to the other characters to be ahead-of-his-time as a musician and writer.

DevelopmentEdit

Leonardo DiCaprio, who worked with Luhrmann on Romeo + Juliet, auditioned for the role of Christian.[1] Luhrmann also considered younger actors for the role, including Heath Ledger and Jake Gyllenhaal before Ewan McGregor won the part. Courtney Love auditioned for the role of Satine and assisted in clearing licensing rights for "Smells Like Teen Spirit" to be used in the film.[2]

FilmingEdit

Production began in November 1999 and was completed in May 2000, with a budget of $52.5 million.[3] Filming generally went smoothly, with the only major problem occurring when Kidman injured her ribs while filming one of the more complicated dance sequences; she also stated in an interview with Graham Norton that she broke her rib while getting into a corset, by tightening it as much as possible to achieve an 18-inch waist.[4] The production also overran in its shooting schedule and had to be out of the Fox Studios in Sydney to make way for Star Wars: Episode II – Attack of the Clones (in which McGregor also starred). This necessitated some pick-up shots being filmed in Madrid.

In the liner notes to the film's Special Edition DVD, Luhrmann writes that "[the] whole stylistic premise has been to decode what the Moulin Rouge was to the audiences of 1899 and express that same thrill and excitement in a way to which contemporary movie-goers can relate." With that in mind, the film takes well-known popular music, mostly drawn from the MTV Generation, and anachronizes it into a tale set in a turn-of-the-century Paris cabaret. The movie also features editing that several critics compared to a music video, involving swirling camera motion, loud music, dancing, and frenetic cutting. Some of the songs sampled include "Chamma Chamma" from the Hindi movie China Gate, Queen's "The Show Must Go On" (arranged in operatic format), David Bowie's rendition of Eden Ahbez's "Nature Boy", "Lady Marmalade" by Patti LaBelle (the Christina Aguilera/P!nk/Mýa/Lil' Kim cover commissioned for the film), Madonna's "Material Girl" and "Like a Virgin", Elton John's "Your Song", the titular number of The Sound of Music, "Roxanne" by The Police (in a tango format using the composition "Tanguera" by Mariano Mores), and "Smells Like Teen Spirit" by Nirvana, a song rarely used in films. The film uses so much popular music that it took Luhrmann almost two years to secure all the rights to the songs.

Release and receptionEdit

Originally set for release on Christmas 2000 as a high-profile Oscar contender, 20th Century Fox eventually moved the release to the following spring so director Luhrmann would have more time during post-production. The film premiered at the 2001 Cannes Film Festival[5] on 9 May – making it the festival's opening title.

Moulin Rouge! received generally positive reviews from critics. The film holds a rating of 66/100 at Metacritic based on 35 reviews,[6] and a 76% "Fresh" rating at Rotten Tomatoes, based on 193 reviews, and a 71% "Fresh" rating, based on 40 "top" reviewers, saying "A love-it-or-hate-it experience, Moulin Rouge is all style, all giddy, over-the-top spectacle. But it's also daring in its vision and wildly original."[7] In December 2001, it was named the best film of the year by viewers of Film 2001.[8]

Awards and honorsEdit

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The film was selected by the National Board of Review as the best film of 2001. It picked up six Golden Globe nominations including Best Motion Picture – Musical or Comedy, Best Actress in a Motion Picture – Musical or Comedy (for Nicole Kidman), Best Actor in a Motion Picture – Musical or Comedy (for Ewan McGregor), Best Original Score (for Craig Armstrong), Best Director (for Baz Luhrmann) and Best Song ("Come What May"). It won three including the coveted Best Picture trophy. A few weeks later, it received 13 nominations at the BAFTA Awards, making it the most nominated film of the year for that ceremony. It took home three, including Best Supporting Actor for Jim Broadbent.

The film received eight Oscar nominations, including Best Actress in a Leading Role and Best Picture.[9] The film was not nominated for Best Director (Luhrmann); commenting on this during the Oscar ceremony, host Whoopi Goldberg remarked, "I guess Moulin Rouge! just directed itself." The film won the awards for Best Costume Design and Best Art Direction.

"Come What May" (the only original song in the film) was disqualified from nomination for an Oscar because it was originally written (but unused) for Luhrmann's previous film Romeo + Juliet and not written expressly for Moulin Rouge!.[10]

Entertainment Weekly put it on its end-of-the-decade, "best-of" list, saying, "Baz Luhrmann's trippy pop culture pastiche from 2001 was an aesthetically arresting ode to poetry, passion, and Elton John. It was so good, we'll forgive him for Australia."[11](1079/1080).[12]

Award Category Subject Result
AACTA Award
(43rd Australian Film Institute Awards)
Best Film Martin Brown, Fred Baron, Baz Luhrmann Template:Nom
Best Direction Baz Luhrmann Template:Nom
Best Actor in a Leading Role Ewan McGregor Template:Nom
Best Actress in a Leading Role Nicole Kidman Template:Nom
Best Actor in a Supporting Role Richard Roxburgh Template:Nom
Best Cinematography Donald McAlpine Template:Won
Best Editing Jill Bilcock Template:Won
Best Sound Andy Nelson, Roger Savage, Guntis Sics Template:Won
Best Production Design Catherine Martin Template:Won
Best Costume Design Catherine Martin, Angus Strathie Template:Won
Academy Award Best Picture Fred Baron, Martin Brown, Baz Luhrmann Template:Nom
Best Actress Nicole Kidman Template:Nom
Best Film Editing Jill Bilcock Template:Nom
Best Cinematography Donald McAlpine Template:Nom
Best Costume Design Catherine Martin, Angus Strathie Template:Won
Best Production Design Catherine Martin, Brigitte Broch Template:Won
Best Makeup and Hairstyling Maurizio Silvi, Aldo Signoretti Template:Nom
Best Sound Andy Nelson, Anna Behlmer, Roger Savage, Guntis Sics Template:Nom
ACE Eddie Best Edited Feature Film – Comedy or Musical Jill Bilcock Template:Won
BAFTA Award Best Film Fred Baron, Martin Brown, Baz Luhrmann Template:Nom
Best Direction Baz Luhrmann Template:Nom
Best Original Screenplay Baz Luhrmann, Craig Pearce Template:Nom
Best Supporting Actor Jim Broadbent Template:Won
Best Cinematography Donald McAlpine Template:Nom
Best Sound Andy Nelson, Anna Behlmer, Roger Savage, Guntis Sics Template:Won
Best Music Craig Armstrong, Marius De Vries Template:Won
Best Production Design Catherine Martin Template:Nom
Best Costume Design Catherine Martin, Angus Strathie Template:Nom
Best Editing Jill Bilcock Template:Nom
Best Special Visual Effects Chris Godfrey, Andy Brown, Nathan McGuinness, Brian Cox Template:Nom
Best Makeup and Hair Maurizio Silvi, Aldo Signoretti Template:Nom
Golden Globe Award Best Motion Picture – Musical or Comedy Fred Baron, Martin Brown, Baz Luhrmann Template:Won
Best Director Baz Luhrmann Template:Nom
Best Actor - Motion Picture Musical or Comedy Ewan McGregor Template:Nom
Best Actress - Motion Picture Musical or Comedy Nicole Kidman Template:Won
Best Original Song ("Come What May") David Baerwald, Kevin Gilbert Template:Nom
Best Original Score Craig Armstrong Template:Won
Grammy Award Best Score Soundtrack for Visual Media Craig Armstrong Template:Nom
National Board of Review Award Best Film Fred Baron, Martin Brown, Baz Luhrmann Template:Won
Producers Guild of America Award Best Picture Fred Baron, Martin Brown, Baz Luhrmann Template:Won
Satellite Award Best Film Fred Baron, Martin Brown, Baz Luhrmann Template:Nom
Best Director Baz Luhrmann Template:Won
Best Original Screenplay Baz Luhrmann, Craig Pearce Template:Nom
Best Actor Ewan McGregor Template:Won
Best Actress Nicole Kidman Template:Won
Best Original Score Craig Armstrong Template:Won
Best Original Song ("Come What May") David Baerwald, Kevin Gilbert Template:Nom
Best Cinematography Donald McAlpine Template:Nom
Best Editing Jill Bilcock Template:Nom
Best Visual Effects Chris Godfrey, Andy Brown, Nathan McGuinness, Brian Cox Template:Nom
Best Art Direction and Production Design Catherine Martin Template:Won
Best Costume Design Catherine Martin, Angus Strathie Template:Won
Best Sound Andy Nelson, Anna Behlmer, Roger Savage, Guntis Sics Template:Nom

SoundtrackEdit

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Musical numbers performed in the film Edit

  • Nature Boy – Toulouse
  • Complainte de la Butte/Children of the Revolution
  • The Sound of Music - Toulouse, Christian, and Satie
  • Green Fairy Medley (The Sound of Music/Children of the Revolution/Nature Boy) – Christian, The Bohemians, and the Green Fairy
  • Zidler's Rap Medley (Lady Marmalade/Zidler's Rap/Because We Can/Smells Like Teen Spirit) – Zidler, Moulin Rouge Dancers, Christian and Patrons
  • Sparkling Diamonds (Diamonds Are a Girl's Best Friend/Material Girl) – Satine, and Moulin Rouge Dancers
  • Rhythm of the Night - Moulin Rouge Dancers
  • Sparkling Diamonds - Reprise - Satine
  • Meet Me In The Red Room
  • Your Song – Christian
  • I Hope You Don't Mind (Your Song - Reprise) - Satine
  • The Pitch - Spectacular Spectacular (including short reprises of The Sound of Music and Your Song) – Zidler, Christian, Satine, The Duke, and Bohemians
  • One Day I'll Fly Away (including a short reprise of Your Song)– Satine, (Christian)
  • Elephant Love Medley – Christian and Satine
  • Your Song - Rehearsal Montage Scene Instrumental
  • Chamma, Chamma - Cast of Spectacular Spectacular
  • If I Should Die (Górecki) – Satine
  • Like a Virgin – Zidler, The Duke, and Chorus Boys
  • Come What May (part 1) – Christian, Satine
  • The Greatest Thing (Nature Boy) - Cast of Spectacular Spectacular
  • Come What May (part 2) - Satine, the Argentinean and Cast of Spectacular Spectacular
  • El Tango de Roxanne (including a short reprise of Come What May) – The Argentinean, Christian, (Satine), The Duke, and Moulin Rouge Dancers
  • Fool to Believe - Satine
  • One Day I'll Fly Away (short reprise) - Satine and Zidler
  • The Show Must Go On – Zidler, Satine, and Moulin Rouge Stagehands
  • Your Song - After the Storm Scene Instrumental
  • Hindi Sad Diamonds Medley (Chamma Chamma/Diamonds Are a Girl's Best Friend) – Toulouse, Nini Legs-in-the-Air, Satine, and the Cast of Spectacular Spectacular
  • Come What May (Reprise) – Satine and Christian
  • Coup d'État - Finale (Children of the Revolution/Your Song/One Day I'll Fly Away/ Come What May) – Christian, Satine, and Cast of Spectacular Spectacular
  • Nature Boy (Reprise) – Toulouse, Christian

The following is a partial list of songs featured in the film along with the artist that popularized them.

Elephant Love Medley

The following is a list of songs featured in the medley, along with the names of the writers and singers of the original.

The "Elephant Love Medley" also contains additional original lyrics by Italian pop tenor Alessandro Safina.Template:Cn

In the Blu-ray release, it was revealed that the song that was planned to open the film was originally Cat Stevens' "Father and Son", sung by Christian where he argues with his father for making him see that he has to go to Paris in order to make his dreams come true. Cat Stevens refused the permission for using the song in the film, therefore the song was changed to "Nature Boy".

Two soundtrack albums were released, with the second coming after the first one's massive success. The first volume featured the smash hit single "Lady Marmalade", performed by Christina Aguilera, Lil' Kim, Mýa and Pink. The first soundtrack, Moulin Rouge! Music from Baz Luhrmann's Film, was released on 8 May 2001, with the second Moulin Rouge! Music from Baz Luhrmann's Film, Vol. 2 following on 26 February 2002.

Stage adaptationEdit

For a while in 2002–03, there was speculation about the possibility of a stage musical based on Moulin Rouge!, possibly in Las Vegas, but there have been no public talks in the years since.[13] Some sources claimed in 2006 that the director, Baz Luhrmann, had approached the leads of the film, Kidman and McGregor, to star in the potential stage version.[14]

In 2008, a stage adaptation, La Belle Bizarre Du Moulin Rouge (The Moulin Rouge Bizarre's Beauty) toured Germany and produced a cast recording.[15]

Template:As of, a stage musical is being developed by Global Creatures and will be directed by Alex Timbers.[16]

ReferencesEdit

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  11. Geier, Thom; Jensen, Jeff; Jordan, Tina; Lyons, Margaret; Markovitz, Adam; Nashawaty, Chris; Pastorek, Whitney; Rice, Lynette; Rottenberg, Josh; Schwartz, Missy; Slezak, Michael; Snierson, Dan; Stack, Tim; Stroup, Kate; Tucker, Ken; Vary, Adam B.; Vozick-Levinson, Simon; Ward, Kate (11 December 2009), "THE 100 Greatest MOVIES, TV SHOWS, ALBUMS, BOOKS, CHARACTERS, SCENES, EPISODES, SONGS, DRESSES, MUSIC VIDEOS, AND TRENDS THAT ENTERTAINED US OVER THE PAST 10 YEARS". Entertainment Weekly.:74-84
  12. It was listed as number 212 on Empire's 500 greatest films of all timeTemplate:Cite web
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  14. Template:Cite web
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  16. Template:Cite web

External linksEdit

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Template:Henri de Toulouse-Lautrec Template:Baz Luhrmann Template:GoldenGlobeBestMotionPictureMusicalComedy 2001-2020 Template:London Film Critics Circle Award for Film of the Year Template:Producers Guild of America Award for Best Theatrical Motion Picture Template:Satellite Award Best Motion Picture

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